An altar

I'm back from a brief vacation with friends on coastal North Carolina. Tomorrow I'll get started on two brand new commissions.

The first is a small altar for my client and former classmate, Andrea. An altar is not exactly a common piece of furniture. I doubt you'll find anything like it at NFM or Ikea. So it's the type of one-of-a-kind object I love to have a chance to make. I'm also honored to have been asked to make a piece that will fill such a central role in someone's life. I've designed a few chairs for specific individuals. Doing so is like creating a tiny building for that person - something that is sort of an extension of their body. It seems that an altar might play a similar role for a person, though more metaphysically. 

The project will also use all reclaimed wood and natural pigment, water-based milk paint. The color in the picture below is a little off; it'll actually be a little greener and a little brighter, or so that's the plan anyway.

Speaking of color, if you've been at any of the several events at CAMP lately (or just dropped in to hang out or do some work) you might have seen this massive tabletop I made for them. Like Andrea's altar will be, it's also colored with milk paint. The metal base was apparently leftover from the old Mastercraft Furniture company, so it was compelling that we got to repurpose something that had a connection to the old space. And in case you were wondering, that dude in the photo is Stevie "RDQLUS" Gordon, who I'd followed with some interest on Twitter for several months, but had never had a chance to meet until I stopped by to take this picture. Be sure to check out his RDQLUS portfolio of design work at RDQLUS Creative.

Habitat in a Birdhouse

Usually when I finish a project, regardless of what it is, the flaws - real or perceived - are what I most notice. Maybe it's because I've been looking at the same piece for so long; or maybe I'm too hard on myself. But when I delivered a table to my client Jessica at her new Birdhouse Collectible space in the Mastercraft building (1111 N. 13th St.), I had a different feeling: I felt confident and inspired.

Jessica's table started with a few ideas. She wanted a piece that had a modern, feminine quality. She also talked about how much she liked zebrawood, which besides being prohibitively expensive, is also kind of on my environmentally unfriendly list. I'm not sure, but I'm guessing it's grown in a rain forest or similarly deforested, tropical area. Ultimately, I came up with a curvy cornered, spalted hackberry top with planks joined at irregular angles. The walnut legs curved at each outside corner and slightly tapered and angled out as they approached the floor. As you can see when comparing the original drawing to the the finished photos, I stayed pretty true to the design... with one major exception. What's that red stuff, you ask? No, I didn't hit an artery on the table saw; and the table was not a prop in "Resovoir Dogs". The red splatters and rivulets red marks are resin cast into the surface of the wood. They were also a solution to an unexpected problem with the material.

I bought the hackberry for Jessica's table at a sawmill in Silver City, IA. Most of it was rough cut, meaning the boards hadn't yet been run through a thickness planer to make their surfaces smooth and uniform. To my chagrin, there were wormholes winding across and straight through every board, the remnants of a society of bugs that apparently had once inhabited a stack of boards. I had run across this problem in the past, and had thought of using resin to fill the flawed faces of the boards. This time, it created an opportunity to pull the design together and make the piece more strongly connected to Jessica's business and space. I don't use esoteric titles very often, but in this case, I called the table "Habitat". I'm making more objects - furniture pieces and sculptural forms - that use resin casting while simultaneously casting a spotlight on the complex life of raw materials.

Did I mention that Birdhouse Collectible is a sort of showroom and gallery? It just so happens that I have a few other pieces for sale in the space. If you're interested in seeing those pieces, checking out the Habitat table and more, the Birdhouse Collectible Open House is a perfect opportunity. Come by next Saturday, August 21 from 6 - . I hope to see you there.

New people, places & directions

This afternoon I spent a couple hours squaring the edges of several planks of hackberry that I brought back from my most recent visit to Silver Creek Sawmill in Iowa. These boards, along with legs cut from the thickest plank of walnut I've ever seen, will eventually come together as a conference table for my new friend Jessica, owner of Birdhouse Interior Design. I had the pleasure of meeting Jessica a couple months ago, having followed her and the development of her business on Twitter for a while. Our ideas about design and affordability seem to mesh pretty well and I'm excited to work with her as she takes her business to the next level.

Jessica's new digs - and the conference table's new home - will be a beautifully lit parcel in the space formerly occupied by the Mastercraft Furniture Company, and which also houses the new CAMP Coworking Space. Am I jealous? Um, yes. It's exciting to see so many creative people working around each other, moving their ideas and passions forward.

Here's a simple drawing of the basic table design, sans an element that will add some additional color, contrast and life to the piece to tie it all together.

This table is particularly exciting for me because it is a shift in direction and technique. The planks that make up the top will join to one another a various angles. The legs will be tapered and rounded by hand on one corner to match the contour of the top.  I'm also trying a new technique that will include using cast resin. More on that later.

A "Star" of Sustainable design? Probably not.

My involvement in November's "Organism" project in the Empty Room is mostly about chairs. And design. And building. However, sometimes it will only enhance the project by providing tables on which to rest your favorite beverage, book or both. To that end, I've created the beginnings of what will be two small coffee tables. I've been a little under the weather the last couple days, but was able to work on these over the weekend. Both follow the construction technique I developed with the "Ark" chair. However, with these tables I've focused more on the overall pattern and shape in the fabrication process. The larger piece measures about 3-feet from each star point to its opposing twin. The whole piece is about 3/4" thick. This will be the table top, which will be paired with a set of thin, spindly turned legs. The fabrication of the larger finished piece was made by cutting about 300 (288, to-be-exact) individual diamond shaped pieces that have then been glued together, one-by-one. The smaller piece will be the same design, but feature a modified wood/grain pattern from the larger one. The woods used in the larger piece included paduak and red heart (alternating in the center), followed by a layer of honey locust, with the remaining encasing made of different varieties of walnut. The smaller piece is red heart alternating with canary wood, followed by a pattern of red heart and honey locust.

For those of you who are interested in sustainable design, well... this doesn't exactly fit the bill. However, I do have an olive branch of sorts to offer, since each of the diamond shaped pieces is cut from the scraps of other projects. So, I've at least found a way to work with what would otherwise have been waste in a process that embraces the spirit of sustainability, even if the underlying wood I used was not. I look forward to hearing any of your suggestions about incorporating other sustainable design and fabrication processes.

Fake IKEA, Round 2

My original homage to IKEA, made for Niz a few months back, has gravitated to my side of the bed. Apparently, it was too short. So, I took another go of it - same basic design of exposed edge plywood, but this time veneered in maple. The pictures look pretty good, but I messed up the top of the veneer, so I'll have to redo that (bubble). This one is about 18" tall and 14" in diameter. I wouldn't mind going back to IKEA sometime - for the Swedish meatballs and lingonberries.

Oh, btw, if you're in the market for a solid walnut table that's, oh, I don't know, something like 4' wide x 14' long, I may be able to help you...