Epilogue to Empty Room

Doug, Matt and I brought ORGANISM - and with it, the Empty Room - to a close last Saturday night. It was an amazing, challenging, and ultimately, very fulfilling project. I had never done anything that approached an installation before, and came out with a new understanding of the collaboration, time commitment and work necessary to pull something like this off.

I entered the project apprehensive of how the various components would work together; after all, there's not much of an immediate connection between poetry and building. But after some initial trial and error, we reached a happy medium. In the end, I don't think it was so much a collaboration as it was an exercise in sharing. Matt hosted several successful poetry readings and slams in the early part of each week. Doug and I took advantage of whatever chunks of time (mostly weekends) we could to build the Organic Chair and recreate a venue in the space.

After we finished an initial simple structure we turned our focus to what we're calling Organic Chair #1, which was only unveiled at the closing.

One of our goals for the entire installation was to raise some resources for a nonprofit organization. Matt, who was recently named as its new Executive Director, decided on the Nebraska Writer's Association. Doug and I set our sights on the Kent Bellows Studio & Center for the Visual Arts. We realized we probably weren't going to have much luck finding a buyer for the Organic Chair installation. So we switched gears and began focusing on Organic Chair #1. Through our mostly unplanned building process, what started as a sort of kaleidoscopic tank slowly emerged as a curvy and somewhat more sophisticated stand-alone reaction to the installation. Though we didn't quite get the inside and outside finished, we hope to do so and sell it to benefit the Bellows Studio.

Thanks to everyone who was able to make it down to the space during November for a reading, slam, concert, or just to hang out. There's a list of related postings and links below about ORGANISM and the entire 6 months of the Empty Room.

Check out Andrew Marinkovich of Malone & Co's photo documentation of all the Empty Room projects.

Silicon Prairie News was gracious enough to do interviews and features about ORGANISM, 25 Days of Building, Clean Plate, 300 Square and the Empty Room concept itself.

For more ORGANISM pictures, etc., check out our Facebook page.

Amy Morin's (Beast Box) website: http://plaiderpillar.com/
Elle Lien's Clean Plate Website: http://clean-plate.com/
Mary Wees' 25 Days of Building Blog: http://25daysofbuilding.wordpress.com/
Jeff Hug's String Thing Website: http://emptyroomstringthing.com/

And a special thanks to 22 Floors, Bluestone Development, Secret Penguin & What Cheer for allowing such a unique thing to occur in Omaha!

My plate is clean: Final Clean Plate Sneak Peak

I've told a lot of friends and acquaintances during the last few weeks that this July has been the busiest time I've ever had, as far as I can remember. Now that we've reached the end of the month, I've finished all the projects I (over) committed to, with a day or two to spare. Among these, of course, is the 14-foot Clean Plate dining table. The picture below is from about a week ago, and should give you a better idea of its overall size. But in order to see the finished piece, you'll have to check it out at the Empty Room. All I can say is that it looks gorgeous, and I'm happy and proud I had the opportunity to do it. I'm also proud of the fact that my dad got to help me with it this past weekend. We hadn't worked on many projects together since my first couple, so it was an interesting experience coming full circle almost ten years later with this more massive piece. Check out all the wood shavings in the picture below; Jean and Renee, sorry for all the dust.

For now my proverbial plate is clean - sort of - for a while, but I'm back to work on a new chair next week. Should be interesting. You can follow my progress at the shareyourchair blog.

Oh, and if you haven't heard anything about it, be sure to stop by Mosaic Community Development this weekend. On Thursday there's a Tweetup, Friday there's live music/food, and on Saturday, myself and the other Just Rest artists, Leslie Iwai and Kjell Cronn, will be doing demos/workshops from 11am - 2pm. Learn more at mosaiccd.org.

So I guess my plate isn't as clean as I thought. That's alright - I like it that way. Adios.

Clean Plate table sneak peak

I celebrated the majority of the July 4th holiday by not hanging out with friends and family; not relaxing in lawn chairs; and not blowing myself up with black cats and M-80s. I did, however, witness a pretty impressive fireworks display in the 2500 block of S. 49th St.

Most of my weekend was in fact spent on my back screwing... boards that is. I took advantage of an extra day off work to finish fabricating the first part of the Clean Plate table. I affixed the side rails to the 4 gorgeous solid walnut legs and created a sort of interior skeletal structure from poplar (a very straight-grained, durable wood).

I joined enough planks to create a full top that screws onto the structure from the underside of the table. In the picture at right, I'm using bar clamps to join the pieces laterally, and squeeze clamps to keep the board from buckling upward under the immense pressure of the clamping. This will also ensure that the piece will remain a flat surface after the glue dries.

Drilling up through the poplar structure into the underside of the planks will accommodate any expansion or contraction that may result from changes in temperature and humidity; this also makes the top look like it's resting on the legs and side rails, without any fasteners, which is a "cleaner" look.

The next phase will involve a pretty extensive amount of sanding on the top. This is the part of working with wood that I wish I didn't have to do. Not only is it hard, tiring work; it's also very dirty and not particularly good for one's health. I wear a professional respirator (those paper masks are worthless, btw), but still come home with nostrels full of brown dust and my eyes feeling slightly irrirated, like I'm wearing contact lenses that are past their expiration date. It's worth the work and risk to health - check out the contrast in the richness of the section of wood that has been sanded and coated with linseed oil and the section that has not - it's pretty dramatic and makes me excited to see how the top will look when finished. Hopefully that happens by the end of the week. Time is running short... Elle starts the move-in to Empty Room August 1.

Clean Table - Sneak Peak #3: It's turning me upside down

After a short break to travel to San Francisco for work/play, I was able to get back in my workshop today. I made some pretty substantial progress on the Clean Plate table, including getting all the top planks cut to size, as well as the rails and ends for one of the 3 components. 

The picture on the left is one of two five-foot long sections laid out on a work table. It's pictured here upside down, because the pieces are not fasted together in any way. Hopefully you can get a sense of the basic design and size from the photo. 

This 5' x 4' section and another of equal dimension will bookend a middle section that is 4' x 4'. Two legs of each of the outer 5' x 4' sections will pull double duty by supporting the middle section

as well. I wish I had a better picture of the way I've arranged the top planks; the richness of color and diversity of grain patterns of this Silver City, IA and Nebraska-grown and milled walnut is significant.

To give you a larger sense of the amount of material in this table (and then, perhaps the size),

here is a shot of most of the end pieces I cut off today to square and cut to size the top planks. I save all these stubby pieces in a box with the intent of making a sculpture or fabricating a structure, but I'm not convinced this will happen any time soon. We'll see - maybe when I finish this, and another project and some chairs and...

Clean Table - Sneak Peak #1

I have the distinct honor of being commissioned to create a dining table for the upcoming Clean Plate residency at the Empty Room in NoDo. Starting in early August, Elle Lien will bring her flavorful feasts to foodies and concert goers. And trust me, having sampled this past Sunday's Mediterranean-inspired brunch, Omaha is in for a treat. The Empty Room projects are meant to be community-based. In that spirit, I'll be sharing occasional updates and photos of the building process. If you're going to be around the Bemis Center or are interested in checking it out, lending a hand for an hour or so or just want to hang out drop me a line. Here are a couple pictures with the basic layout of the top. The long pieces of wood laying vertically on edge will actually be the supports on the underside, and the uneven pieces running laterally are the top.

After several conversations, Elle and I settled on a Parsons-style table, which means the ends, sides and legs are all flush with the top, eliminating any overhang or lip. The whole table will be 16-feet long and 4-feet wide. This is by far the largest piece of furniture I've ever made and has already presented me with several logistical challenges. Namely, the length and overall size has caused me to build the table in 3 pieces so it can be moved out of my workshop and easily transported to the Empty Room.